Abdullah Mohammad Lafi Aldagamseh
Head of Department of General Studies and Academic Staff in Department of General Studies
Personal Profile
Current Position: |
Head of Department of General Studies and Academic Staff in Department of General Studies |
College / Department: |
College of Arts and Science
/ Department of General Studies |
Academic Status: |
Associate Professor |
Area of Specialization: |
|
Nationality: |
Jordanian |
Education
Academic Qualification |
Educational Institution |
Graduate Year |
PHD Philosophy | | 2012 |
Master English language | | 2004 |
Bachelor English language | | 2000 |
Academic Experience
Position |
Institution |
Period |
Head of Department, Department of General Studies | Applied Science University / Bahrain | 2021- Present |
Academic Staff, Department of General Studies | Applied Science University / Bahrain | 2020- Present |
Acting Head of Department, Department of General Studies | Applied Science University / Bahrain | 2020 - 2021 |
Associate Professor | Yarmouk University | 2019 - 2020 |
Assistant Professor | Yarmouk University | 2012 - 2019 |
Assistant to the Dean for Quality Assurance | Yarmouk University, | 2015 - 2017 |
A committee member | Jordan National English Exam | 2015 - 2017 |
ESL English Language Instructor and Tutor | Indiana University of Pennsylvania | 2008 - 2012 |
Teaching Associate | Indiana University of Pennsylvania | 2010 - 2012 |
Graduate Assistant | t Indiana University of Pennsylvania | 2006 - 2008 |
Teaching and Research Assistant | Hashemite University | 2005 - 2006 |
English Language Instructor | Ar’ar Teachers’ College / Saudi Arabia | 2004 - 2005 |
English teacher | public schools in Jordan | 2003 - 2004 |
Research assistant | Yarmouk University | 2000 - 2002 |
English teacher | public schools in Jordan | 2001 - 2001 |
Membership of Professional Bodies
Publications
- Cutting through Syria’s Silence: Trauma in Khalid Khalifa’s No Knives in the Kitchens of this City and Asaad Almohammad’s An Ishmael of Syria, 2021.
- The camera lens: Representation, Authenticity, and manipulation in Penelope lively’s the photograph and J.M. coetzee’s slow man, 2021.